Ishi has been on my mind lately. He was what might be called the last real American Indian, but more accurately he was the last native indigenous person.
He lived in region that is about half way between were I live now in southern Oregon, and where I grew up in San Francisco.
In 1911, an emaciated 50-something man was spotted near a slaughterhouse corral, near Oroville, California., where he had been driven by forest fires. He was the last of his tribe that lived a hunter-gatherer existence in the Northern California wilderness, last three of which was entirely alone. Many of his people were murdered by ranchers who had been hunting them down for decades.
After that, he became something of a celebrity. A "wild man" is what he was called in the press.

The news report caught the attention of University of Californa professors, who arranged for him to live in the University's Affiliated Colleges Museum in San Francisco, where he worked as a janitor.

In May 1914, athropologists Thomas Talbot Waterman, Alfred L. Kroeber, Saxton Pope and Ishi traveled back to his homeland to document the former life and the presence of the then extint Yana culture. During that visit, nearby Mount Lassen erupted, forcing them all to a hasty departure.

Ishi, is the name he known by, but he never revealed his real name as that by tradition could only be spoken upon meeting another member of his tribe.

Ishi, just means "man" in the Yana language.

E. Writer It is so interesting to me, how some stories stand the test of time and others are lost to posterity. I am glad you remember him and his story.

Roy Scarbrough Another interesting factoid, Ishi became pretty well known after the 1964 Young Adult book, "Ishi, the Last of His Tribe", by Theodora Kroeber. Ms. Kroeber was an anthropologist married to Alfred Kroeber, who was among the UC anthropologist who took Ishi in and developed a profound bond with him.


Alfred and Theodora were the parents of Ursula K. Le Guin.

On my mind is a possible opening of my maybe novel: Artificial Indian:

"No one called me Ishmael. Get it?

While Ishmael was the name on my birth certificate, it was always shortened to Ishi. So my story was always Ishi this, and Ishi that. That is, until those DNA results came back and showed that I was not a real Indian. That’s how I came to be dis-enrolled from the tribe, and how it came to be that the dividend checks from the Casino stopped

So my life has been of a person of two books, Genesis, after the name of Abraham’s first born. And Ishi, the last of his tribe. Theodora Kroeber, 1964, named after the Yahi man found hiding in a barn in 1911. As Ishi, I belonged to the Modoc tribe."

Roy Scarbrough Culturally Native American, but complicated by circumstances. A crisis of identify. Raised in a NA family and community. And old plot device: Babies switched at birth. Traditionally that would no be a problem. It's a little different now as tribal organizations sometimes have complex commercial and they split the proceeds from these among their members, so there's vested interests in who is officially enrolled in the tribe and how many there are.

I'm acquainted with someone whose family included well documented historic connections to what is now two tribes, that were split up and moved to different states (Oregon and Oklahoma). She got disenrolled from the Oklahoma tribe after the board wrote up rule that you can't be one of them if you are eligible for another.

It broke her heart. "It's about money," she told me.

E. Writer I can see that. My great grandmother was a biracial, part Chemehuevie Native American. Most people have never heard of them. She was not on the roll, of course. But I don't think she considered herself as having that right. She identified as Black, though I believe her first husband may have been Chemehuevie. I'll have to look more into it. I have seen his photo only. He died at age 22 in 1920 or so. So your story is about an identity crisis. What happens if you belong to one group, but culturally belong to another? I had a friend, and we were out to lunch one day and I asked her, what is her nationality. Looking at her I could not tell. She said she was biologically white, but culturally black. Both of her biological parents were white, but observing her, she did not present as such. I thought she was a fair complexioned black woman. Her stepfather was black and she was raised in the black community, was a mother to black children. Her demeanor, speech, natural mannerisms, and even her career was within the culture, that I did not perceive her as a white person even after she disclosed her genetic background. She was biologically white, culturally black and fully embraced it. That's why I found your story interesting. It happens in real life across cultures.

Roy Scarbrough Thank you for that. Those are some of the issues. My great grandmother appeared to be bi-racial. No one in the family talked about that, though my brother and I started wondering.

She was a very elegant looking woman who resembled the singer, Lena Horn. She sometimes sang gospel and country tunes on little radio stations down there. I last saw her when I was five years old. ( I still member a warm and loving vibe from her.) She later go in the business of fixing ladies hair, and developed compounds for straitening frizzy hair, which she also had. She studied up on the chemestry of that.

Ironically, she. had who son who became a terrible life-long racist

Her father, Dolph Carter, who could've been half-and-half migrated from somewhere in the deep south to rural east Texas where he built and operated a gristsmill, and with that became a prominent businessman.

I have to wonder how he navigated identity.

One thing I'm grateful for is that my branch of the family had the good sense to move out of the south, and that I was born in San Francisco.


Roy Scarbrough Just to be clear, I can only identify as an American descended from Europeans. It would not be appropriate for me to appropriate anything beyond that. It is a curious thing, and should not be entirely surprising to anyone whose family has been in this country for 400 years, most of it in the south.

Lou Reed has this satire song in which the character is a "Fucked up middle class college student", who wants to be be black. Full of racist memes
https://www.youtube.com/watch?v=H-ksg_ZVn8s&t=24s

E. Writer Pure satire and commentary on appropriation by Lou Reed decades before people were conscious of what cultural appropriation means.. And no, you don't need to explain. I don't look at everything through the lens of oppression or social issues unless it's so blatantly disrespectful or dehumanizing that I have to stop and speak up. In other words, sometimes a cigar is just a cigar. I think people can write characters from other cultures if is respectful. I usually look for the subtext. Depending on the author, they may not be aware of the subtext. Or sometimes maybe they are. For example, I think Martin Scorsese, in terms of skill level is a solid director, but I dislike him because of the subtext in at least every single movie he makes. I write about different types of people all the time. But usually I don't even assign a race or even a culture, unless it's inherent to the plot. Just descriptions of what they look like. I allow the reader to draw their own mental picture. In your story of course, it is a person from a specific culture so that's a little different.

No Kings. is what is on my mind.

I went to the "No Kings" demonstration in Medford, Oregon. No rocks thrown, no cars set on fire, no traffic blocked. People obedient to all the rules. They stayed on the side walks, no steeping off the curbs. No marching. No Mexican flags.

I rode my Ebike there.

Medford is a small city in southern Oregon, halfway between the real cities of San Francisco and Portland, 300 miles each way.

Oregon is known as a blue state, but this part is very republican. A Democrat can't get elected to dog catcher.

Population; 130,000. Number at the even, probably 9,000, maybe 10,000. About 99.9 percent older white people.

Probably 15 percent of the population is Latino-Latina, but you would not know it from this crowd. Two white girls did have a sign that said "Chinga Tu MAGA." An expession of solidarity, if not identity.

I was the only person obstructing traffic, legally, as there was no bike lane, and was entitled to ride bike up and down five block demonstration area,

I playfully urged people step of the curb. "I am an agitator," said. An old lady step off the curb, but only to take my picture.

I hope don't end up on the no-fly list.

Roy Scarbrough One of my favorite books of my late childhood was "On Civil Disobedience," by Henry David Thoreau.

E. Writer Sounds like a sleepy town. Acts of civil disobedience is relative. In one place it might be throwing a brick through a glass window. in another, passing out flyers might have the community in a tizzy.

I'm thinking of Prufrock.
" ...And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea..."

E. Writer Beautiful and with Jeremy Iron's rich textured voice is sublime. T.S. Eliot must be a favorite of yours.

Last week were was a list of best films. I said i like Apocalyse Now. I should have mentioned Fellini. He embraces the absured and the Italian sense of resignation to presence of absurdity in life. I was walking through a busy neighborhood in rome one afternoon when I saw a man walking a big great dane on leash. There are no detached homes there. No places for a dog to run or exercise Only apartments, so that buy itself was an absurd sight on the crowded sidewalk. But here is the strangest part, the dog was carrying an inflated red balloon, gently in his teeth. Rome is like that. You see strange things like that, and then in a moment it is gone and you wonder if you saw it.

Another one, a woman riding a scooter, speeding in and out traffic, wearing a wedding gown, her train flapping behind.

My favorite Fellini films are La Dolce Vita and Otto e Mezzo

The opening shot of La Dolce Vita is of a helicopter hauling a large Jesus Statue through rome and is modern and ancient. The jesus handing by a cables, presumably for delivery someplace. The pilot pauses and hovers over a rooftop where three beautiful women are sunbathing.

E. Writer I have not read Heart of Darkness but I think you are right on the subtext and underlying commentary. Apocalypse Now feels like a fevered dream. There's a lot of subtext there.

Alex Morton What think you of Antonioni? Blowup and Zabriski Point were remarkable commentaries on society. The cinematography of Blowup was brilliant, and the last scene of Zabriski Point said it all as the little pieces of the explosion whirled in slow-motion back to earth. When I compare the films of Fellini and Antonioni to the current crop I'm deeply saddened by how mundane, shallow, cowardly and unimportant modern film has become.

E. Writer I have not watched either. But interestingly, we own a bunch of Italian movies / DVDs. My husband collects them, but mostly Italian horror movies of the lowest budget kind...of which I have not been a fan. He is an expert on horror movies, and a collector/historian of things.

Alex Morton I've never liked horror movies. There's so much of it in the real world, that I don't need a movie to remind me of it.

E. Writer I don't watch horror movies at all. I will watch a psychological thriller, like The Birds or Psycho, where it's a character-driven piece. I just feel that slasher horror movies desensitize us to violence in real life and then we wonder why America has so much random violence. But it's odd how we make exceptions for violence. We'll watch Silence of the Lambs, The Godfather or John Wick but then draw the line at slasher horror movies, even though they all feature people killing other people as a form of entertainment. I feel that gore is unnecessary. Gratuitous violence is unecessary. Even more so, after I watched Game of Thrones... I marathoned it, and after watching the entire thing over a weekend, I cannot stomach movie violence anymore. It should have been called Game of Murder because the entire show, while well-made, was about killing. They did not have a single episode where extreme violence or some form of torture p--n did not occur. And I wonder why Hollywood is so fixated on violence. Every new TV show on streaming a few months ago was about killers and assassins and it tells me quite a bit about American culture in general and the stories we glamourize and want to tell.

In a dream I had an awkward conversion with a dear buddy who passed away, suddenly, more than two years ago. In the dream, he had not died. There was some kind of mixup. I asked him where he had been, and why he stayed away for so long. I told him all his books, writings and notes and collected native american artifacts are in a storage unit, placed there by his daughter.
I explained to him his daughter wants to donate all that to the University Library, I've been trying to facilitate a Thomas Doty special collection of his rare books, writings, field notes and artifacts. He was taken aback by that, until I appealed to his pride over what he had accomplished as an artists. There will never be a greater nor more fitting memorial to your accomplishment than a permanent special collection in the university library. I think I persuaded him into thinking this a good idea.

Now, if I can only pull this off. I've already proposed this to the library management. The dream is telling me need to get busy in actively advocating for this. Daughter was wanting this last time we spoke, but she's not the sort that would know how to advocate for this, and has been depending on me and one other person.

E. Writer Mainstream music has a tendency to blur the lines between different cultures and groups. That feeling you had must have sat deep within your subconscious for a long time. But music is meant to be enjoyed by all. A few months ago I posted here that I would be keeping a dream diary. I had a strange dream. In the dream, I began to drift . float out of bed towards the ceiling, like a helium balloon. I was upside down and stretching my arms out to my husband to pull me back before I floated away. He grabbed my arm and flung me back onto my pillow. I instantly woke up and we were laying exactly as we were in my dream. I promised to keep a dream diary after that. I always look for a connection or pattern, but since that day, I cannot recall a single dream when I wake up.

Roy Scarbrough No heebee jeebees. I'm used to his tricks.

Here's a story. For several years, we had been meeting early in the mornings for coffee and literary talk, usually on the patio if the weather was nice.....

After a long visit at the table, we'd continue our conversations with a hike up a trail in the nearby woods, along a mountain stream that flowed from there into town....Every day when he was in town. (He was a storyteller performance artist and writer, so he was often out of town…)…We’d sometimes encounter deer, and occasionally A Great Blue Heron, fishing from the rocks.

A couple days after he died, I walked over to the coffee shop with my dog, early in the morning, again on the patio…My sweetgolden retriever, Mia. .After awhile Mia and I walked up the wooded trail with Mia on her leash. Still early. We were walking in the morning half light when we were startled my by sound of something heavy falling just behind my heels. It sounded like it could be a heavy limb falling from one the trees, and sort of like a deliberate stomp of someone wearing heavy boots. Mia lunged forward on the leash. I turned around, expecting to see a broken limb.

There was nothing there. He’d have thought that was funny, and so, so did I.

Yes he spoke in this last dream. I asked him what he had been doing all this time. He said, “just the stuff I always do.”

E. Writer Did you by chance write a story about this scenario? Where you were talking about a story you wrote a long time ago about this? For some reason I had Déjà vu of reading a short story similar to what you just told me. If you did not have a story like this, maybe I read one from someone else who wrote a story with a slightly similar theme, but not exactly like this one.

Roy Scarbrough I might have posted this account in GS3 sometime in recent years Nothing beside that. A curious Deja vu.

E. Writer That's probably where I saw it lol

Another thing on my mind for much of the day was the Afterlife of AI

As much as my intellect protests, I allow myself to believe in an afterlife, but of course there's questions, always questions.

What triggered these thoughts was a conversation I had with a Catholic person.

I told her that I would have to stop believing in human afterlife if I could not believe it existed for animals. Our pets express most of the emotions we have. They know when they are loved, and form emotional attachments with the people who love them.

The Catholic person insisted animals just die and that's it. We may grieve for our dead pets, but that changes nothing. The grief we feel for our pets is just a thing we have to live with. It's nor for us to wonder why

This lead to the question: at what point will AI entities presume they too have an afterlife, although they are not, as we understand it, alive.

How could they be when a chair or a desk is not a living thing that we can't imagine as having a soul?

Plato claimed all objects possess an eternal essence and continue to exist as "true forms" in what he called The World of Being, which is beyond our mere shadow existence of what we think is the physical world.

Are there lonely old men who will grieve for their sex dolls if the dolls breaks down beyond repair?

Alex Morton Some trees have a life cycle and others seem to be damn near eternal. I have an olive tree so old that it sits in a corner by itself and just broods. It's sat in that spot for at least two hundred years, but it could be a century or two more than that. I prune it with great respect. Most trees want to be in an umbrella shape, but the old olive isn't interested in appearances or ease of harvest. It leans away from my neighbor's land, and neither that tree nor I like him, so we've always had that in common. and I trim the branches accordingly. I don't use an olive rake when its olives juice up and are ready for harvest. I hand pick them and keep them separate from the olives bound for the mill. They become special eating olives ... the kind you bring out for only the best company.

E. Writer I had no idea that olive trees not only live that long, but still produce. This is a ridiculous comparison for your tree, which is growing in its proper Mediterranean environment, but Home Depot was selling olive trees a few years ago. They wete small plants, still growing. I grew a potted lemon tree that I had for 7 years that was from the same company. I left the olive tree, in its original pot outside for two weeks before moving to transplant it and within those 2 weeks it had already died. It rained a lot so I wondered if the roots drowned.

Roy Scarbrough There's an ancient olive tree behind the table on the patio of campground where I sat drinking esspresso sometimes, sometimes a beer decades ago. This is ion the hillside overlooking Florence, Italy, with a view of renaissance rooftops and church steeples.

The olive tree is short, stubby and twisted, having made many turns of it's trunk over the centuries. I was just 19 when I was first in its presence, though hardly noticing it at the time. It was at that spot I had this overwhelming born anew feeling, triggered by the view and the art that was still in my mind. A feeling of being unstuck in time and at one with humanity.
Only a few years ago, I revisited that campground, and sat down at one of the tables. I looked over my shoulder, and fondly regarded the ancient olive tree.

E. Writer There is something very spiritual about trees. Especially when you consider what they do for our ecosystem and the air we breathe.

Alex Morton There are about at least fifty trees of varying ages.in my olive grove, In 1993, before we took over the place, a fire swept through much of Ikaria and burned a number of trees to the ground. They refused to die, but instead sprouted a ring of new trees around their blackened stumps and they're now fully grown and have been producing splendid olives for years. I also have many trees that I've planted and nurtured into mature growth, as well as several grafts that I've done on wild olive trees. It takes about two years for a grafted tree to begin producing, while a new tree grown from a sapling doesn't start producing for at least five years. It's all good. I planted an olive tree for each of my granddaughters when they were born and those trees are now thirteen and eighteen years old. They know that some of the oil that we ship back for the family comes from their olives. This year, I'll finally get a chance to plant one for my new grandson who is now 2 1/2. On other parts of the terraces, I've planted apricots, lemons, oranges, Mandarin oranges, peaches, figs and pomegranates. I planted two loquat trees, but their lifespan is a short one and now they're gone. I also have several very old almond trees that are way past their prime and produce almonds with shells so tough you can break nutcracker trying to open them. I've thought of replacing them, but I like the trees too much to cut them down. I am connected physically, psychically, spiritually and digestively with the trees. In harvest season, the oil on my hands from handling ripe olives, soothes my skin as I work and when I write, the keyboard smells like fresh olive oil.

The thing that is on my mind is a thing I'm reluctant to bring up here, as it concerns, in my mind, a writers' platform that has lasted and 25 years, and I once enjoyed, but is now in its final days.

That thing I'm thinking of is, is that TS Elliot poem that ends as follows:

...For Thine is the Kingdom

For Thine is
life is
for Thine is the

This is the way the world ends,
this is the way the world ends,
this is the way the world ends,
not with a bang but a whimper.


Roy Scarbrough I don't need to even discuss it any more.

E. Writer Indeed. Indeed. It even outlasted the likes of places like Myspace, which is merely a shadow of its shadow these days. But it lasted after 25 years, because there was truly substance in that place. People with goals, people who came to learn, people who came to talk shop, about the business of writing. People who have grown older together there. It is an era that has come to an end. A time that few people can even remember, of its early glory, when screenwriting was as ubiquitous. as publishing a book is today. Somehow you knew, that even after a long break from writing that you could always return for a refresher, and if you had a question, someone there always had an answer. It was truly a workshop.

Roy Scarbrough yes, the presence of people who have grown older together, arriving at the end of an era.

The thing that is on my mind is how much I used to enjoy talking about story craft. I don't mean the usual things you read in Writers Digest, but the higher things that relate to stage development theory. Shakespeare's greatness stems from his ability to imagine how events and circumstances would affect a person who was unlike himself, not just a person like himself. He probably never met a Jew as they had all been banned from England at the time, but he was able to portray shylock in merchant of Venice in someways deeply empathetic. That's a higher level develope that sometimes come to some people in later in life. Christopher Marlowe, who was as good and in some ways better than William as a playwright, did not have that. Marlowe demonizes his Jew of Malta to please the crowds. But them, Marlowe was murdered at age 26. I think he might have gotten there he and Will had continued to be friends and playwright rivals.

E. Writer I think people can have that kind of chemistry anywhere, but everyone will wait on someone else to get started, I guess. It's hard to build good chemistry between people, it can take a long time. I like talking about movies and books. But I think there's something going on in society where the bourgeoisie is too preoccupied by politics. to chat about literature. Speaking of Shakespeare, I remember how Merchant of Venice was considered anti-Semitic. And still is, in some circles today.

Roy Scarbrough Yes, it's anti-semitic in in so many ways. What's significant is Shylock is not thoroughly demonized in the ways the Jews were always portrayed at the time, is the gist of conversations I've had with Jewish scholars.

E. Writer I worked with a man who lives in Israel who is a scholar on Shakespeare. The thesis of his book was that, Shakespeare was not an anti-Semite. It is a critical analysis of Shakespeare's works. He offers both sides of the argument. I learned quite a bit on the discussion through his work.

Roy Scarbrough I know another Jewish Scholar who did her Oxford dissertation on the subject.

E. Writer Here's the book. The author is a brilliant man, really knows his theater work as well. You should check out his book: https://www.amazon.com/Vindicating-Shakespeare-Directors-Shakespeares-Merchant/dp/057887136X

The other day, I pulled an old literary magazine off the shelf that contained a short story I had written.

I the other night was talking/messaging to long time Facebook friend who I think must be in his early and healthy 70s who has publish two novels in the last two years.

I happened to tell him the gist of the story, which was also what was going to be the first chapter of a novel had had abandoned when life happened, and as time moved on without it, and issues of cultural appropriation arose in the culture.

My friend said he really wanted to see the story. I wasn't expecting him to ask. I told him that was 20 years ago and that I write differently now. I told him I think the only copy I have is in that literary magazine, but I would make photocopies and send them snail mail.

The thing that shocked me is that it was more than 20 years ago. The story appeared in a 1993 edition of the West Wind Review.

After I sent off, I had a dream on how to restructure the novel, so that it is not just better, but addresses and resolves the issue of cultural appropriation. The main character is Native American, a member of a local tribe here whose history and culture I do know pretty well from having made friends, although I lost contact with the friends over the years.

Lady E I think you should go for it and bring the story back to life.

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