Ever hear of Pascal's Wager?
Pascal was a mathematician. It's a kind of a joke. According to Pascal, everyone has something of value on the table on on the big question: Does God Exist.
If you bet yes, your winnings are infinite as you will be rewarded with eternal salvation. Your potential loss is the inconveniences of the religious life.
If you bet no, your winnings are a finite gain, lifetime free of guilt, shame, and restrictions on simple pleasures. Potential loss: infinite, eternal damnation.
Long before Pascal, dante sort of raises the question in Canto XIX of Paradiso, He asks the Eagle of Justice what justice is there for a good peasant living along the remote shores of the Indus river being punished when he had no way of knowing that such a game was being played elsewhere.
The Eagle dodges the question.
When I was a boy, I asked my mom something like that question on behalf of those living outside of Christiandom.
My mom said, "They will be given their chance."
I let it go at that. What else can one do?
So what go me thinking about this? Ok, I'm reading a very good book on critical art theory called "Vermeer's Wager." The wager revolves about meaning and truth observable in certain Vermeer painting. You can either approach the painting as conveying truths about the human and spiritual experience, or you can take the position that the objects in the painting are merely the normal representation of Flemish 15th Century domestic life. The mousetrap in the corner is just that, a mousetrap. Has nothing to do with a metaphor invented by St. Augustine.
I'm betting on St. Augustine and Vermeer. What do I have to loose?
.


E. Writer Thank you for sharing information about this person. I have never heard of him. It reminds me of a Greek Philosopher, Pythagoras (around 500 bce?), who believed that numbers were divine, and the building blocks of reality. He founded a religious movement called, Pythagoreanism and is one of the founders of logicism. He believed that everything in nature could be broken down into numbers. He believed the number 10 is perfect number.
Alex Morton Or you can take Blake's viewpoint that Christianity has it backwards ... that it is repression, guilt and shame that are evil. I'm sticking with Blake, but I also don't believe in an afterlife. All rewards and punishments are within this life. You create your own earthly heaven and hell.
Andrew Morgan Thanks Roy, just ordered the book. We are all the good peasant.
Roy Scarbrough Vermeer's Wager? That's the book you ordered, Andrew. Cool. The book is a little spendy. Even the Kindle is $27. I have the university library copy, but I'm going to spring for one of my own so I can write in it.
Roy Scarbrough Gaskell in Vermeer's wager pushes back in two directions against modernist critical theory in visual arts. The empiricists who question almost every analysis of what the art could mean, and semioticists who treat pictorial art as a "text" that can be "read". He calls this linguistic hegemony. I like what he is doing. Art conveys meaning and truths, but not a way that can be compared with "reading" a written text.
I say its more like "reading" a map. We say we "read" maps, but we dont. We open them up and scan them to reach an understanding of the terrain. It's geography. The picture territorial. The objects in the "map" can be assessed as to their importance to the whole. The picture can have a "national identify." There, I've said it, and it saves me the trouble of writing a whole damn book.