When we look at the Renaissance today, we liked to see it through the veil of The Enlightenment. We see galileo, we see ocean crossings and new world discoveries, we see leonardo's sketches of flying machine. What we don't see so easily what was also in the minds of renaissance. The widely discussed hermentics of the schoolars and humanist like Marsillo Fincino and Pico Della Mirandolla and their investigations of the nature of being. No one thinks to ask why a painting will at times portray two events separated by time and space in the same pictorial space. Why St. Peter appears twice in paintings by Masaccio and Massolino. Why Ghirlandio's resurrected boy is shown simultaneously falling out of a high window in one coner, but elswhere and miraculously rising from the dead.
Most people like to see the empiricism because it gives them a feeling a connectiveness to our present post Newtonian world. The and miss seeing the other.



E. Writer I've always understood the appearance of St Peter's multiple times to represent a montages, as if to display a chronological order of events. Renaissance artists were incredibly skilled at lighting and shadows. I am most drawn to that aspect when I see their paintings.
Roy Scarbrough We grew up with comix, where each frame has a border. Here, the cripple's shadow and the shadow of the building behind him veers off in a different angle than even St. Peter's shadow who stands before him.